Dash Hammerstein – “Franklin”
With Franklin, Brooklyn-based polymath Dash Hammerstein delivers an album that sounds both lovingly familiar and thrillingly uncharted. Out April 4, 2025, the record is a self-contained world: written, arranged, recorded, and produced entirely by Hammerstein himself—save for brief but striking cameos by Christian Li (Unknown Mortal Orchestra) on synths and Grace Hammerstein on vocals. What results is a genre the artist wryly dubs “White Album Brat”—a nod to his foundational love for The Beatles and The Kinks, refracted through a contemporary pop prism of Charli XCX and Billie Eilish.
From the jump, lead track Sick makes it clear that Hammerstein isn’t interested in retreading the past. Aggressive, synth-heavy, and beat-forward, it showcases an artist liberated from traditional instrumentation. Guitars take a backseat here—replaced with analog drum machines, arpeggiated synths, and modular randomness reshaped into structure. Tracks like Overcorrection and Undertaker dig deeper into this dichotomy, welding clever, Kinksy lyrical sensibility to a shimmering, electronic pop chassis.
Inspired in part by the unreleased Book of Prince documentary, Hammerstein found fresh creative fire in retro-tech like the LinnDrum and Prophet 6. His production setup—split between a home studio and a Tribeca workspace—embraced analog imperfection, yielding a sound that hums with warmth and unpredictability. Generative modular gear shaped the album’s DNA, creating spontaneous patterns that were molded into deliberate, hook-laden songs.
